Bach Bibliography Search Result

Series : ^[ce]Marshall$
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Marshall, Robert L.	Prologue. The Century of Bach and Mozart as a Music-Historical Epoch: A Different Argument for the Proposition.	[ce]Marshall			2019	1-8, 261
	2.	Marshall, Robert L.	Bach, Johann Sebastian. [Repr from Encyclopaedia Britannica, 15th edition, II, pp.556-561]	[ce]Marshall			1989	3-20
	3.	Marshall, Robert L.	Young Man Bach: Toward a Twenty-First-Century Bach Biography. Chapter 1.	[ce]Marshall			2019	9-29, 261-266
	4.	Marshall, Robert L.	Bach the Progressive: Observations on His Later Works. [Repr. from MQ, lxii (1976), pp.313-357] (pp.54-58 is a postscript)	[ce]Marshall			1989	23-58, 295-303
	5.	Marshall, Robert L.	The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. Chapter 2.	[ce]Marshall			2019	30-37, 266-268
	6.	Marshall, Robert L.	Bach and Luther. Chapter 3	[ce]Marshall			2019	38-55, 268-269
	7.	Marshall, Robert L.	Redeeming the St. John Passion--and J. S. Bach. Chapter 4.	[ce]Marshall			2019	56-64, 269-270
	8.	Marshall, Robert L.	Bach's Orchestre. [Repr. from EarlyM xiii (1985), pp.176-179]	[ce]Marshall			1989	59-63, 303
	9.	Marshall, Robert L.	Bach's Keyboard Music. Chapter 5.	[ce]Marshall			2019	65-113, 270-276
	10.	Marshall, Robert L.	On Bach's Universality. [Repr. from Martin Heckscher et al (ed.), The Universal Bach: Lectures Celebrating the Tercentenary of Bach's Birthday. Fall 1985. Philadelphia: American Philosophical Society, 1986, pp. 50-81] [BWV 78]	[ce]Marshall			1989	65-79, 303-304
	11.	Marshall, Robert L.	'Composing Scores' and 'Fair Copies'. [Repr. of 'Introduction' in Cantata Autographs in American Collections, New York: Garland publishing 1986, pp. vii-xv] [BWV 131, 10, 33, 171, 112, 97, 9, 118]	[ce]Marshall			1989	83-110, 304-305
	12.	Marshall, Robert L.	The Sketches. [Repr. of 'Musical sketches in J. S. Bachs cantata autographs', in Studies in music history; essays for Oliver Strunk, ed. Harold S. Powers, Princeton, N.J.; Princeton U.P, 1968, pp.405-427] [BWV 117, Anh. 2, 232, 29, 183, 198, 133, 215, 39]	[ce]Marshall			1989	111-129, 305-308
	13.	Marshall, Robert L.	The Minimalist and Traditionalist Approaches to Performing Bach's Choral Music: Some Further Thoughts Chapter 6.	[ce]Marshall			2019	114-120, 276-277
	14.	Marshall, Robert L.	Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Chapter 7.	[ce]Marshall			2019	121-129, 277-278
	15.	Marshall, Robert L.	Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Chapter 8.	[ce]Marshall			2019	130-147, 278-279
	16.	Marshall, Robert L.	The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. [Repr. of 'Commentary', Johann Sebastian Bach, Herr, gehe nicht ins Gericht (BWV 105). Faksimile nach dem Partiturautograph der Deutschen Staatsbibliothek Berlin mit einem Nachwort hrsg. von Robert Marshall. Leipzig: Zentral-Antiquariat der DDR; Neuhausen-Stuttgart: Hänssler, 1983, pp. 5-7]	[ce]Marshall			1989	131-142
	17.	Marshall, Robert L.	The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. [Repr. from Studies in Renaissance and Baroque music in Honor of Arthur Mendel. - Kassel [u.a.]: Bärenreiter; Hackensack, NJ: Joseph Boonin, 1974, pp.165-182]	[ce]Marshall			1989	143-159, 308-312
	18.	Marshall, Robert L.	Bach at the Boundaries of Music History: Preliminary Reflections on the B-Minor Mass and the Late-Style Paradigm. Chapter 9.	[ce]Marshall			2019	148-155, 279-280
	19.	Marshall, Robert L.	Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. Chapter 10.	[ce]Marshall			2019	156-173, 280-284
	20.	Marshall, Robert L.	On the Origin of the Magnificat: A Lutheran Composer's Challenge. [Repr. from Bach Studies, ed. Don Franklin. Cambridge: Cambridge Univ. Press, 1988, pp.3-17]	[ce]Marshall			1989	161-173, 312-313
	21.	Marshall, Robert L.	Johann Christian Bach and Eros. Chapter 11.	[ce]Marshall			2019	174-185, 284-286
	22.	Marshall, Robert L.	The Mass in B Minor: The Autograph Scores and the Compositional Process. [Repr. of 'Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs', MKirche, l/5 (1980), pp. 230-239]	[ce]Marshall			1989	175-189, 313-314
	23.	Marshall, Robert L.	Bach and Mozart: Styles of Musical Genius. Chapter 12.	[ce]Marshall			2019	186-196, 286-289
	24.	Marshall, Robert L.	The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. [Repr. of 'Introduction', Johann Sebastian Bach, Fantasia per il Cembalo. BWV 906. Facsimile Edition. Kassel [u.a.]: Bärenreiter, 1976, pp. [2-7]]	[ce]Marshall			1989	193-200, 314-316
	25.	Marshall, Robert L.	Mozart and Amadeus. Chapter 13.	[ce]Marshall			2019	197-211, 289-292
	26.	Marshall, Robert L.	The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. [Repr. from JAMSoc, xxxii (1979), pp.463-498] Postscript, p.225.	[ce]Marshall			1989	201-225, 316-328
	27.	Marshall, Robert L.	Bach and Mozart's Artistic Maturity. Chapter 14.	[ce]Marshall			2019	212-237, 292-294
	28.	Marshall, Robert L.	'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). [Repr. of 'Reviews of Records. Johann Sebastian Bach: The Complete Cantatas.' [Vols. 1 and 2 of the Telefunken Series, Nikolaus Harnoncourt and Gustav Leonhardt, conductors], MQ, lix (1973), pp.145-159]	[ce]Marshall			1989	229-239, 328-331
	29.	Marshall, Robert L.	Mozart's Unfinished: Some Lessons of the Fragments Chapter 15.	[ce]Marshall			2019	238-251, 294-296
	30.	Marshall, Robert L.	'Editore traditore': Suspicious Performance Indications in the Bach Sources. [Repr. of 'Editore traditore: Ein weiterer 'Fall Rust'?', in Wolfgang Rehm (ed.), Bachiana et alia Musicologica. Festschrift Alfred Dürr zum 65. Geburtstag am 3. März 1983. Kassel [u.a.]: Bärenreiter, 1983, pp. 183-191] Postscript, p. 254.	[ce]Marshall			1989	241-254, 331-333
	31.	Marshall, Robert L.	Had Mozart Lived Longer: Some Cautious (and Incautious) Speculations. Epilogue (ossia Postmortem).	[ce]Marshall			2019	252-259, 296-298
	32.	Marshall, Robert L.	Tempo and Dynamics: The Original Terminology. [Repr. of 'Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology', Peter F.Williams (ed), Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge Univ. Press 1985, pp. 259-276]	[ce]Marshall			1989	255-269, 333-337
	33.	Marshall, Robert L.	Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. [Repr. of 'Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works', in George B. Stauffer and Ernest May (eds.), J. S. Bach as Organist. His instruments, music and performance practices. - London: B. T. Batsford Ltd., 1986, pp. 212-239]	[ce]Marshall			1989	271-293, 337-339
	34.	Marshall, Robert L.	Bach and Mozart: Essays on the Enigma of Genius. Rochester, NY: University of Rochester Press; Woodbridge: Boydell & Brewer, 2019. xxi, 331p. ISBN: 978-1-58046-962-3	[ce]Marshall			2019	xxi, 331p
	35.	Marshall, Robert L.	The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. New York: Schirmer Books, 1989. xxiii, 375p.	[ce]Marshall			1989	xxiii, 375p